1This paper presents the research work of the Humboldt Chair of Digital Humanities at the University of Leipzig to establish a new Leipzig Open Fragmentary Texts Series (LOFTS).1 The project is developed in conjunction with the Perseus Digital Library at Tufts University and the Harvard University Center for Hellenic Studies. LOFTS produces open editions of ancient classical works that survive through quotations and text reuses in later texts (i.e., textual fragments). These fragments include many formats that range from quotations to allusions and translations, which are only a shadowy image of the original depending on their distance from a literal citation (for a definition of fragmentary texts, see Berti 2012 and Berti 2013). Generations of scholars have looked for information about lost authors and have created huge print collections of fragmentary works that cover almost every literary genre in prose and verse, allowing for the rediscovery of authors otherwise lost and forgotten (Most 1997). As far as Greek literature from the eighth century BCE to the third century CE is concerned, we know that the works of about sixty percent of known authors are preserved only in textual fragments, thus showing the importance of this form of evidence (Berti et al. 2009).
2Print editions of fragmentary works are indexed collections of excerpts extracted from their contexts and from the textual data about those contexts. Editions of fragmentary works are fundamentally hypertexts and the goal of this project is to produce a dynamic infrastructure for a full representation of the complex relationships between sources, quotations, and annotations about them. In a digital edition, fragments are linked directly to the source text from which they are drawn and can be accurately aligned to multiple editions (Berti et al. 2009). Accordingly, digital fragments are contextualized annotations about reused authors and works. As new versions of, or scholarship on, the source texts emerge in a standard, machine-actionable form, these new findings are automatically linked to the digital fragments. Such a representation allows us to go beyond the limits of print collections of fragmentary authors, where quotations and text reuses are snippets of text completely isolated from their original context. Fragmentary texts also include quotations and reuses of surviving sources (e.g., Herodotus quoted by Athenaeus). In these cases it is possible to compare the original text with its reuses and, therefore, to produce different textual alignments that help scholars to infer the quotation habits of ancient authors.
3The first step for rethinking the significance of text reuses of lost works is to represent them inside their preserving context. This entails the selection of the string of words that belong to the portion of text classifiable as reuse and to encode all those elements that signal the presence of the text reuse itself (i.e., named entities such as the onomastics of reused authors, titles of reused works and descriptions of their content, verba dicendi, syntax, etc.). The second step is to encode all the information pertaining to other sources that reuse the same original text with different words or a different syntax (witnesses), or that deal with the same topic of the text reuse (parallel texts), as well as alternative editions and translations of both the source and the derived texts (Almas and Berti 2013).
4LOFTS has two main objectives: (1) to digitize paper editions of fragmentary works and link them to source texts, and (2) to produce born-digital editions of fragmentary works. In order to achieve these goals, LOFTS is implementing a Fragmentary Texts Editor within the Perseids Platform2 (Almas and Berti 2013) and is producing a digital edition of the Fragmenta Historicorum Graecorum edited by Karl Müller in the nineteenth century (Müller 1878–85; DFHG Project).3 Alongside the DFHG project, LOFTS is working on two other subprojects: (1) the Digital Athenaeus, whose goal is to produce a digital edition of the Deipnosophists, with a complete survey of quotations of both lost and surviving sources preserved by Athenaeus of Naucratis;4 and (2) the Digital Marmor Parium, which seeks to create a digital edition of the so-called Parian Marble, a Hellenistic chronicle on marble from the Greek island of Paros5. The latter is the work of a fragmentary author whose name is lost and the project serves as a test case to build a model that works with both fragmentary texts and physical fragments of ancient works such as inscriptions and papyri (Berti and Stoyanova 2014).
5The present paper is divided into two parts. The first part (section 2) describes the implementation of a fragmentary texts editor within Perseids, the editorial platform developed by the Perseus Project for collaborative annotation of classical source documents. Perseids facilitates the annotation of text reuses, the production of syntactic annotations, the alignment of multiple texts, and the production of digital commentaries on fragmentary works. This section also elaborates on the complex nature of fragmentary texts and how different technologies need to be combined to reach our goals.
6The second part (section 3) describes the Digital Fragmenta Historicorum Graecorum, a synergetic effort which is currently encoding print collections of fragmentary texts and creating a directory of fragmentary authors which feeds into the Perseus catalog.
7The Perseids Platform supports collaborative editing, annotation, and publication of born-digital editions of source documents in the classics.6 Perseids is not one single application but an integrated environment built from a loose coupling of heterogeneous tools and services from a variety of sources. The development of the Perseids platform was inspired and motivated by the work of several pre-existing projects: the Tufts Miscellany Collection at Tufts University,7 the Homer Multitext Project at the Harvard’s Center for Hellenic Studies,8 and the Papyri.info project9 (Almas and Beaulieu 2013). The Son of SUDA Online (SoSOL) application sits at the core of the Perseids platform. SoSOL is a Ruby on Rails10 application, originally developed by the Papyri.info project, that serves as front end for a Git11 repository of documents, metadata, and annotations. It includes a workflow engine that enables documents and data of different types to pass through flexible review and approval processes. The SoSOL application includes user interfaces for editing XML documents, metadata, and annotations. While it does not include a full-featured XML editor, it supports alternative text-based input of XML markup, and can enforce XML schema validation rules on the documents being edited.
- 12 This work was supported by grants from Tufts University, the National Endowment for the Humanities (...)
- 13 For the prototype functionality used by students of the Digital Philology course at the University (...)
8A key goal behind the initial development of the platform was to enable original undergraduate research in the field of Classics.12 The workflows related to the encoding of text reuses and lost authors represent core use cases for the current phase of work on the platform (Almas and Berti 2013).13 In developing features of the Perseids Platform to support these workflows, we are focusing first and foremost on the data. We expect that techniques for visually representing digital editions will change rapidly with technology. So, while our work includes prototype representations of digital editions suitable for publication on the web, our first priority is to enable scholars to create data about the authors, texts and related commentaries, annotations, links, and translations in a way that encourages and facilitates their preservation and reuse. We have identified the following core requirements to meet this goal:
The ability to represent the texts themselves, links between them, and annotations and commentaries on them, in semantically and structurally meaningful ways that adhere to well-accepted and documented standard formats.
Stable and resolvable identifiers for all relevant data points, including:
the lost authors and their works
the authors and extant texts that preserve quotations and text reuses of the lost works
different editions and translations of the lost and extant texts
named entities (e.g., persons, places, and events) mentioned within the texts
commentaries and annotations on the texts, from ancient times through the present
The ability to group any of the data points into collections representing different contextual views of the data.
The ability to accurately represent provenance information for data and workflows.
- 14 The texts will adhere to the EpiDoc subset of the TEI standard, as discussed further below.
9We use TEI encoding to represent the source texts and textual fragments preserved within them.14 TEI provides the markup syntax and vocabulary needed to produce XML that enables citable passages of text to be unambiguously identified and linked to within their preserving context, a key requirement of the representation of text reuses as discussed above. For example, the following excerpt from Athenaeus’ Deipnosophists 3.6 uses the TEI <div> element to demarcate the book and chapter:
<div type="textpart" subtype="book" n="3">
<div type="textpart" subtype="chapter" n="6">
...Ἴστρος δ᾽ ἐν τοῖς Ἀττικοῖς οὐδ᾽ ἐξάγεσθαί φησι τῆς Ἀττικῆς τὰς ἀπ᾽ αὐτῶν γινομένας ἰσχάδας, ἵνα μόνοι ἀπολαύοιεν οἱ κατοικοῦντες: καὶ ἐπεὶ πολλοὶ ἐνεφανίζοντο διακλέπτοντες, οἱ τούτους μηνύοντες τοῖς δικασταῖς ἐκλήθησαν τότε πρῶτον συκοφάνται. ...
10The CITE Architecture developed by the Homer Multitext Project15 provides us with a standard identifier syntax for texts, passages, and related objects and with APIs for services which can retrieve objects identified via these protocols. CITE defines Canonical Text Services (CTS) URNs for creating semantically meaningful unique identifiers for texts and passages within texts. CITE also defines an alternate URN syntax for data objects that are not citable text notes, such as images, annotations, and the lost texts themselves. As URNs, these identifiers are not web-resolvable on their own. By combining them with a URL prefix and deploying CTS and CITE services to serve the identified resources at those addresses, we have resolvable, stable identifiers for our texts, data objects, and annotations (Smith and Blackwell 2012). One of our key motivations for using CTS URNs is that they give us a robust means of targeting annotations at specific substrings of text within a canonical work. The pointers to the text are specific to the location of these strings within their canonical citation structure, and not to the XML markup of any particular digital edition of the text. Further, the URN syntax degrades gracefully to allow us to reference either the notional work or a very specific edition of that work. Our goal in using this syntax, together with RDF and stand-off markup techniques as discussed below, is to enable the assertions we are making to stand on their own as data, independent of the encoding techniques used to digitize the text.
11For example, the following set of identifiers might be used to represent a reuse of a lost work of Istros at book 3, chapter 6 in Athenaeus’ Deipnosophists (Almas and Berti 2013):
12This is a CTS URN for a subset of passage 3.6 in the perseus-grc1 edition of the work identified by tlg001 in the group of texts associated with Athenaeus, identified by tlg0008. The URN further specifies a string of text in that passage, starting at the first instance of the word Ἴστρος and ending at the first instance of the word συκοφάνται.
is a CITE URN identifier for the instance of lost text being reused. This URN identifies an object whose name 2 is unique within the Perseus Collection of Lost Content Items (lci). Every item in this collection points to a specific text reuse of a lost author as it is represented in a modern edition (see below for further discussion of CITE Collections).
13These URNs represent distinct technology-independent identifiers for the two cited objects, and by prefixing them with the http://data.perseus.org URL prefix (representing the web address at which they can be resolved) we create stable web identifiers for them, making them compatible with linked data best practices:16
- 17 At the time of this writing, complete implementation of the CTS standard for resolution of passage (...)
14The RDF data model also gives us more precision than XML with respect to targets of annotations and subjects of assertions. A human reader can usually tell from context whether an assertion concerns the wording of a sentence, the writing of a sentence as an event, the author of a sentence, or another scholar’s assertion about the sentence. XML has no standardized semantics, and interpretations of relationships among elements and attributes are often underspecified in XML vocabularies (Renear et al. 2002). In RDF, subject, predicate, and object roles in a statement are explicit at the data structure level. Distinctions among domain entities (such as author vs. authorship event, or morpheme vs. sentence) are encoded as a class identity for the resource.
15The term “Annotations” covers a potentially wide variety of data types. We can have simple annotations in the form of typed links between data points, such as: a textual fragment and a proposed author of that fragment; detailed textual commentaries making an assertion about a text; a complex morphosyntactic analysis of a section of text; an alignment between editions or translations of a text. The Open Annotation (OA) data model “specifies an interoperable framework for creating associations between related resources, annotations, using a methodology that conforms to the Architecture of the World Wide Web.”18 The OA model enables us to serialize every annotation in its most simple form, as a link between one or more target items being annotated, and one or more bodies representing the contents of the annotation. OA also gives us a standard vocabulary for categorizing the motivation for the annotations. URIs are used to specify both the target and the body of the annotation. We use the OA data model both as the primary representation of an annotation, in cases where the annotations are created by linking two identifiers (such as a link between a passage in a text and an identifier for a named entity or event), and also as a serialization method for more complex annotations, where the annotation process involves the creation of complex documents as the annotation bodies which we can then reference by their URI identifiers. In the latter case, we use a variety of standard formats for the actual annotation bodies, including:
Markdown Syntax21 for short textual commentaries.
TEI XML for primary and secondary source texts.
16The annotation representing the assertion (discussed above) that text at Athen., Deipn. 3.6 describes a reuse of a lost work of Istros identified by urn:cite:perseus:lci.2, serialized in OA using the JSON-LD22 format, might be formalized as follows (Almas and Berti 2013):
"@id": "http://data.perseus.org/sosol/users/Monica Berti",
"name": "Monica Berti"
17Figure 1 shows a possible visual representation of the same annotation:
Figure 1: Visual representation of an OA annotation of a text reuse in Athen., Deipn. 3.6
18We need to be able to organize text reuses into various types of collections of data, including those represented in a given traditional print edition which comprises: reuses from one or many authors; all text reuses attributed to a specific author; all text reuses quoted by a specific author; all text reuses referencing a specific topic; all text reuses attributed to a specific time period. CITE Collection Services define a protocol for identifying and retrieving digital representations of objects identified by CITE URNs. CITE URNs uniquely identify objects in a set of objects of a similar kind: for example, images, manuscripts, and entries in commentaries. (CITE stands for Collections, Indices, Texts, and Extensions.) Examples of CITE collections used to support the encoding of text reuses for our project include the abstract lost text entities themselves, digital images of manuscripts of the extant source texts that quote those lost texts, commentaries on instances of text reuse, and linguistic annotations of the quoted text.
19Scholars produce data through a variety of activities, observations, and other events. Some data is created, other data discovered. The provenance of a digital object is an account of its origin and change over time. Documenting and preserving data provenance in a structured, machine-readable format enables us to more precisely track and document shared resources, ultimately improving data quality and encouraging further sharing. Specifically, we intend our retrieval, editorial annotation, and communication tools to create records of the research transactions in which they are used. These records are expressed in RDF vocabularies that are based on abstract provenance models.
20According to Groth et al. (2006), two key principles for provenance data are that (1) actors must only record propositions that they know to be true, through statements of what they observe; and (2) each statement of provenance must be attributable to a particular actor.
21In our use case, we need to be able to (1) reference ancient data that can be identified but that did not literally come into existence as the result of any modern computational interaction (and which may in fact no longer be extant in any preserved source); and (2) identify the role a data item, such as an ancient scholarly assertion, plays as the vehicle for the modern scholarly claims. A third requirement, which results from the second, is that we need to be able to represent the assertions of the ancient scholars, on which our modern assertions depend, in a format that can be included computationally in a common data set with the modern claims.
22Although our usual workflow discourse describes domain entities coming into existence and undergoing genuine change, that understanding poses problems for tracking identity and other semantic relationships. For example, if a text is enriched by adding TEI markup, what exactly is preserved in the derivation of the newer version from the older? On what basis do we identify the same original work in each reuse despite the superficial differences between them? And how do we represent assertions concerning works that have no physical exemplars? Our solution to dilemmas like these is to employ complementary data provenance models: one with a transformational view and another with a semiotic view of the same research events.
23The W3 Consortium’s PROV is a specification for expressing provenance records with descriptions of the entities and activities involved in producing and delivering or otherwise influencing a given digital object.23 A PROV activity is an event through which entities come into existence and/or change to become new entities. Activities are dynamic aspects of the world, such as actions and processes. For example, a PROV account of the OA annotation shown in the previous section would document its coming into existence at a particular time through a researcher’s use of annotation software.
24In contrast to PROV, the Systematic Assertion Model (SAM) treats events in scholarship as linguistic acts (Wickett et al. 2012). SAM is concerned not with mutable data structures that change from one form to another, but with unchanging abstract objects that come to stand in new contingent relationships during a project. A SAM account of the OA annotation, for example, would be concerned with its role as a vehicle for the scholar’s claim of a proposition’s truth (that is, the proposition that Athen., Deipn. 3.6, quotes LCI 2). A SAM description links an annotation expression to the act of annotation, the claim advanced at that time and place, the annotator’s justification for the claim, and to interpretive contexts necessary for understanding the annotation. In the present example these contexts would include the OA vocabulary and the JSON-LD serialization syntax.
25SAM’s formal account of research data and its content supplies contextual information that PROV lacks, but PROV can record functional relationships that SAM hides: because SAM’s abstract symbol structures and propositions are immutable, their roles in a project are incompletely specified without the PROV view of their use as inputs and outputs to activities.
- 24 To substantiate her argument, the scholar must also identify corroborating material, including inst (...)
26In the scenario discussed in this paper, a scholar wants to annotate what she thinks is a reuse of a lost text attributed to Istros in an extant source text by Plutarch (Sol. 24.1), where Istros is not named.24 The scholar, using the Perseids annotation tools to produce a concrete representation of this assertion, indicates the text that represents the reuse. An example of an RDF triple documenting this action—the selection of the string starting with the first instance of ἐξαγωγὴ to the first instance of συκοφαντεῖν according to the SAM data model—is:
<system:actions/berti/textsel1> sam:indicates [ xsd:string "ἐξαγωγὴ1,συκοφαντεῖν1"];
event:time [xsd:dateTime "2013-05-20T09:01:00"];
27Although we could represent this action as an activity involving the scholar’s physical interaction with the system, we would lose the significance of the linguistic force behind the scholar’s identification of the text.
28In reaction to her selection of text, the system computes a URI identifier for that text. This event can be represented as a SAM computation, but in order to represent the fact that the URI came into being as a result of a user-system interaction, it is also appropriate to describe this as a PROV activity that was informed by the scholar’s previous action of selecting a string of text (Almas et al. 2013):
<system:urncompute1> sam:indicates <data:citations/urn:cts:greekLit:tlg0007.tlg007.perseus-grc1:24.1%40ἐξαγωγὴ%5B1%5D-συκοφαντεῖν%5B1%5D>;
event:time [xsd:dateTime "2013-05-20T09:01:01"];
a sam:Computation, prov:Activity;
30As mentioned before, one of the goals of LOFTS is to digitize paper editions of fragmentary works and link them to the source texts from which the fragments have been excerpted. Such a work aims both at preserving a philological heritage and at providing a methodological foundation for implementing a new generation of born-digital editions of fragmentary texts. Accordingly, LOFTS is encoding the Fragmenta Historicorum Graecorum (FHG), which is one of the most important collections of textual fragments of Classical authors.
31The five volumes of the FHG edited by Karl Müller (1878–85) comprise the first big collection of fragments of Greek historians’ work ever realized. The work collects excerpts from textual sources pertaining to more than six hundred fragmentary authors. Excluding the first volume, these authors are chronologically distributed and range from the sixth century BCE to the seventh century CE. Under each author the fragments are numbered sequentially and arranged according to works and book numbers (when such information is available), and every fragment is translated into Latin. The first volume also includes the text of the inscription of the Marmor Parium with a Latin translation, a chronological table, and a commentary, and the Greek text of the Rosetta Stone with a French literal translation, as well as a critical, historical, and archaeological commentary. The fifth volume includes fragments of the writings of Greek and Syriac historians preserved in Armenian sources.
32The basic structure of the FHG has introductions to the volumes with discussions of the content, citations of sources, and references to bibliographical records. Sometimes short introductions precede the fragments of the fragmentary authors with biographical information and related textual evidence. The Greek fragments are arranged into two columns and the Latin translations are printed at the bottom of the page below a horizontal line. The FHG does not include a critical apparatus for the Greek text.
33LOFTS is producing the first digital edition of the FHG as a means of providing an open, linked, machine-actionable text for the study and advancement of Greek fragmentary literature.26 The text is encoded in accordance with the latest TEI EpiDoc standards.27 The decision to adopt the EpiDoc subset was dictated by two factors: (1) EpiDoc markup lends itself well to ancient texts, be these papyri, inscriptions, manuscripts, or editions, allowing for various levels of detail; (2) encoding in EpiDoc ensures compatibility with existing papyrological and epigraphic resources, with the EAGLE-Europeana network,28 and with the forthcoming EpiDoc-compliant Perseus 5.0 databank.
34The Leipzig Humboldt Chair and Perseus Digital Library partnership entails a synergetic effort not only to enrich the Perseus Catalog29 but also to provide new testing material for the continuous development of the Perseids Platform, where the first EpiDoc version of the FHG will be placed for further annotation. This undertaking is proving to be invaluable not only for the growth of partner resources but also for the development of the EpiDoc schema itself.30
35The project team is also working on the text of the so-called Marmor Parium (IG 12.5.444), which is a fragmentary inscription from the island of Paros that preserves a Hellenistic chronicle from the reign of Cecrops (1581/1580 BCE) to the archonship of Euctemon (299/298 BCE).31 The epigraphical text was edited in the first volume of the FHG because of its historiographical value (Müller 1878–85, 1:533–90). The author of the text is unknown, but the content reflects his choices and it consists of a list of historical events mainly based on the Athenian history. In this respect, this evidence is a perfect example of a fragmentary author, whose work is preserved not through quotations in later texts, but in a fragmented original form. The text of the inscription is also being encoded in EpiDoc. An important part of the project is the identification of named entities mentioned in the inscription (such as names of kings and magistrates, personal names, and place names). The Pleiades gazetteer has been referenced for the place names.32 The identification of individuals will make use of and feed into the Standards for Networking Ancient Prosopographies project (SNAP).33 The team is also producing a visualization of the chronology preserved by the Marmor Parium with the open source tool TimelineJS, which allows the comparison of the text not only with other ancient chronologies but also with different chronological interpretations of the content of the inscription made by modern scholars (Berti and Stoyanova 2014).34
36The digital text of the FHG was obtained by feeding the volume scans available at the Internet Archive35 to an Optical Character Recognition (OCR) engine, which transformed the printed text into digital form. The error-laden Greek output was corrected semi-automatically and stored in text files. Any remaining errors are manually rectified during the encoding process.
37LOFTS has drawn up an EpiDoc template that is compatible with the Perseus Digital Library corpus and applicable to all types of texts produced by the University of Leipzig Open Greek and Latin (OGL) Project, which is producing a comprehensive open collection of Classical sources.36 The template covers basic layout and citation structures with room for alteration and improvement and it is integrated with encoding guidelines, produced not only to document the LOFTS editorial choices but also to help external individuals contribute to the encoding process. The project production line consists of two stages: (1) the encoding process is implemented by LOFTS and tackles layout, citation elements, and philological issues; (2) the initial editorial endeavor and the guidelines are made available for crowdsourcing, where contributors are encouraged to further tag the EpiDoc files with information regarding places, personal names, and any other relevant entities.
38The editorial team of LOFTS creates one XML file per fragmentary author. Every file contains a <teiHeader> with specific information about the author, volume, or book in question. As for the <text>, Müller’s layout is not kept since the Greek text is separated from its Latin translation. The structure within <text> reflects the structure of each volume, using the <div type="textpart"> with different @subtype values, whenever needed. Müller’s Latin translations of the fragments are encoded in a separate XML file to facilitate text alignment.
39For example, fragment 6 of Ion of Chios will be encoded as follows (figures 2, 3, and 4):
Figure 2: Page image from FHG 2:48: Greek text of fragment 6 (outlined in red) and Latin translation (outlined in yellow)
Figure 3: Image from the XML file for the Greek translation
Figure 4: Image from the XML file for the Latin translation
40While retaining the same number (6), the Greek is encoded in a <cit> and the Latin translation in a <p>. The <cit> is broken down into <bibl>, which contains the source <author> (Plutarch) and work, and a <quote>, containing the Greek text. Whenever there is a note, the <note> element is also placed within <cit>. Any information that does not strictly pertain to the fragment is encoded in a <p>. This initial editorial stage also involves replacing special characters, such as the æ diphthong, with their Unicode entities (see the Latin translation, where æ is displayed as æ) in order to avoid font and potential display issues and confusion between graphically similar but semantically different characters (e.g., capital Latin c and Greek capital lunate sigma). Numbers, including ordinal, are also tagged. Footnotes are given arabic numbers (Müller uses asterisks) for clarity.
41An XSL transformation37 is used to help the encoder better visualize the marked-up text and links the main body to the footnotes. All references to other works (often abbreviated by Müller) are tagged as <bibl> and will eventually point to a master bibliography file. Work titles appearing in the Greek and Latin texts are wrapped in a <title> element. Where we have both the Greek and the Latin titles of a work, the two titles are enclosed in another <title> tag:
<title><title xml:lang="grc">Περὶ τελετῶν</title> sive <title type="alt" xml:lang="la">De mysteriis</title></title>
42The FHG does not include a critical apparatus, but sometimes Müller signals variant readings in the text, and these are tagged as <rdg> elements inside an <app> within the main text. Personal names are simply tagged as <persName>. Names often carry additional information, such as patronymics and epithets or clues about an individual’s profession. Encoding such specificity is not a stage one priority but a stage two expectation.
- 38 See, for example, Müller 1878–85, 1:1, frr. 5 and 7; 1:56, fr. 83; 2:29, fr. 2.
43Another problematic feature when working with editions of fragmentary works is how to encode specific editorial decisions concerning the attribution of a quotation or a text reuse to an author whose original works are lost. Müller sometimes adds different marks (parentheses, square brackets, or question marks) to the fragment number in order to signal uncertainty about the attribution of that fragment.38 In these cases the uncertainty is encoded using the @ana attribute to the <cit> element, with one of the following values: "#dubia", "#incerta", and "#anonyma". These values are defined in the <classDecl> element in <encodingDesc> in the header. The reason for this choice depends on the fact that when the project was started not all relevant elements had the @cert attribute. Even if they did, Müller reasons for marking something as uncertain vary a lot, and he is also inconsistent in his use of these sigla. The use of the <certainty> element also proved problematic, because of this inconsistency, since it was at times difficult to determine whether the uncertainty was the content of the citation, the attribution to an author, or the extent of the quotation. So it was decided to roughly map Müller’s three sigla to what seemed the most frequent and probable uncertainty categories across the collection, and rather than have @cert or <certainty> sometimes in <cit> sometimes in <bibl> sometimes in <quote>, to have three different values of the @ana attribute in <cit>.
44Once complete, these basic XML files are deposited in the Perseids Platform for further annotation by third parties. While still in testing mode, this second stage encourages annotators to tag any additional information, including—but not limited to—the following:
- 39 For example, Κάδμος Ἀρχελάου Μιλήσιος, where we have the name of the author (Κάδμος), the name of t (...)
Bibliographic references: expansion of bibliographic references and linking to bibliography file.
Titles within Greek and Latin text.
Stage 2 encoding of the Latin translations (after initial encoding at stage one).
45The editorial board provides the final review for each file. EpiDoc-encoded DFHG files are being progressively added to the DFHG GitHub repository41 for everyone to download, improve, and share in accordance with our CC BY-SA 4.0 International License.42
46The Leipzig Open Fragmentary Texts Series (LOFTS) aims not only at producing an open series of Greek and Latin fragmentary authors, but also at building a model for representing quotations and text reuses of lost works in a digital environment. In order to achieve these goals, different technologies are being used and implemented beyond the TEI XML standard. The final outcome is the production of dynamic excerpts from source texts. In the case of digitized print editions of fragmentary works, this means linking the fragments directly to the source text and annotating their metadata within it. In the case of new-born digital editions of fragmentary texts, fragments become multilayered annotations of information concerning fragmentary authors and reuses of their lost works. These dynamic excerpts contribute to the production of a real “multitext,” where each version of the same text embodies a different step in its transmission and a reconstruction of philological conjectures (on the concept of multitext see Blackwell and Crane 2009). The ultimate goals are the creation of open, linked, machine-actionable texts for the study of textual reuses of Classical works and the development of a collaborative environment for crowdsourced annotations that involve both scholars and students.